Time
Frame-The role of any rule of composition is to draw the eye into a photograph. Framing refers to using elements of a scene to create a frame within your frame. For example, you might shoot through a doorway, pulled back curtains, branches, fences, tunnels, or arches to highlight your subject.
Sometimes it’s what you can’t see in an image that draws you into it as much as (if not more than) what you can see in the picture some ‘frames’ can draw your viewers into the picture just by their shape this is another way how the format can give out an effect . Some also believe that a frame can not only draw the eye into a picture but that it keeps it there longer giving a barrier between your subject and the outside of the shot.Your frame doesn’t need to go completely around the edges of your image they might just be on one or two edges of your shot.Frames for photographs come in all shapes and sizes and can include shooting through overhanging branches, using tunnels, also using your hands is a way of using a frame. For example, using your hands around the sun make the sun stand out as it is blocking other parts. Furthermore, using your hands as a frame around the sun also has another technique-Forced Spective-it creates and illusion thus it makes the picture more attractive and intriguing – you can even use people (for example shooting over shoulders or between heads) etc.
Focus
The position at which rays of light from a lens converge to form a clear and sharply defined image on a focal plane. Focusing on the object gives out an effect for example if there are 2 or 3 objects and you are focusing it on one it shows the significance of the object and it stands out. In photography, it’s practically married to sharpness. An image that is completely sharp is said to be in-focus. An image that’s completely blurry is said to be unfocused. The same metaphor applies to your mind. When you concentrate, your mind is sharp. You are focused. When you’re confused, you lack focus.In terms of actual camera settings, larger f-numbers correspond to smaller apertures. At F22, the depth of field (or focus range) is much larger than at F4. You can use depth of field to emphasize certain parts of an image. That’s one reason why F4 is such a good aperture for taking portraits. You can focus on the eyes alone while the background gets completely blurred out. The small depth of field makes your friend’s face stand out from the background.
On the right, I have my own example and my intentions was to blur out the background and focus on the subject of the picture. Furthermore, in this picture I have used an amazing and that is called "Figure on Ground". Using this technique has made the flower in the picture stand out as the background colour and part of the subject is green, however the flower colour is completely different therefore it makes it stand out.